Why is swag so gay

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That night he was very real- he told me things that he had not even told himself. He would always keep himself occupied with different arts as a form of expression or maybe because it made him forget his own existence. Often when gay people like me — like us, who are not out — meet others through the internet, it is mainly to fulfill carnal desires. The moment our lust is fulfilled, we turn our backs and sleep facing the other way — as if we feel nothing, as if we are empty inside.

But that night was a beautiful soul-meeting. We never had sex. He took my hand as if it was his own and placed it on his chest with such authority that it felt like we had known each other forever, and he would never let me go. I slowly lifted my hand, and turned around so I could sleep. There was a big iron gate, and huge walls, as though it were a jail, and on one of the walls sat a symbol of his personality- a quiet musical instrument.

The reality is that we do not live in homes, we live in jails. Those who do not know what their children want, can we call those people parents? Byron Hurt's documentary Hip Hop: Beyond Beats and Rhymes attempts to answer some of the questions: What are the roots of misogyny and homophobia in hip-hop, and how can we advance past them?

One clip from the film shows him asking three men in drag how they feel about homophobia in rap; shortly after, Hurt is inside of a studio with Busta Rhymes questioning him on homophobic lyrics.

Rhymes seems both bemused and shocked. That's what you're talking about? With all due respect What I represent culturally doesn't condone it. Beyond Beats and Rhymes asks important questions, but like many people who've tried to analyze or push back on the endlessly complicated relationship between rap and homophobia, he comes up pretty empty-handed. Cohesive analysis of the origins and commodification of black masculinity, images of sex and violence in hip-hop-- not to mention the significant threads of homoeroticism woven through rap's entire aesthetic-- can't be dealt with in decades, let alone 56 minutes.

Rappers like Morgan acknowledge the challenge inherent to creating music within a genre that's historically been hostile to their sexuality. But there's little interest in engaging the hand-wringing debates-- it seems more effective to answer exhausting, outdated questions like, "Are we ready to embrace a gay rapper?

I've always been the type of guy who never even felt that he had to come out of the closet," Morgan says. But I never felt homophobia growing up in my household.

I was never made to feel like I was different because I always knew I was different. In writing the lyrics to his forthcoming debut mixtape, Le1f worked hard to toe the line, juggling identity politics with accessibility and party-readiness. Conscious rap is not my favorite type of rap.

And just as there's the worry that hip-hop will shut out rappers because they're gay, there's perhaps an equally legitimate concern that audiences will fetishize them and pit them against one another for the same reasons. The whole 'room for one' mentality is homophobic If we were straight, no one would be comparing us. Rashard Bradshaw, a year-old college kid who raps with an impossibly fast tongue over Dipset-glitzy beats using the name Cakes Da Killa , thinks hard about this, too.

He lives in New Jersey and makes it into the city to perform at small bars when he can, and cites rappers like Antonio Blair and Le1f as "my foremothers," but he's also fearful of quotas and pigeonholing: "We're all cunty, we're all gay, and we're all really out," he explains, sitting in a Brooklyn bar. At the same time, he's sincerely reverent and grateful for their influence.